|
|
|
|
|
St Cecilia with Two Angels fdg
Painting ID:: 7041
|
GRAMATICA, Antiveduto
St Cecilia with Two Angels fdg
1620-25
Oil on canvas
Kunsthistorisches Museum, Vienna
|
| |
|
|
|
|
|
|
|
|
|
The Theorbo Player dfghj
Painting ID:: 7042
|
GRAMATICA, Antiveduto
The Theorbo Player dfghj
c. 1615
Oil on canvas, 119 x 85 cm
Galleria Sabauda, Turin
|
| |
|
|
|
|
|
|
|
|
|
St Cecilia with Two Angels
Painting ID:: 44441
|
GRAMATICA, Antiveduto
St Cecilia with Two Angels
1620-25
Oil on canvas
|
| |
|
|
|
|
|
|
|
|
|
Cephalus and Procris
Painting ID:: 85775
|
GRAMATICA, Antiveduto
Cephalus and Procris
c. 1580. Oil on Canvas
cyf
|
| |
|
|
|
|
|
|
|
|
|
Saint Engracia
Painting ID:: 85797
|
GRAMATICA, Antiveduto
Saint Engracia
1650. Oil on canvas
cyf
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
GRAMATICA, Antiveduto
|
|
Italian Baroque Era Painter, 1571-1626
Italian painter. He was from a Sienese family. According to Baglione, his parents were journeying from Siena to Rome when his mother went into labour and gave birth to him at an inn, an inconvenience that had been foreseen ('antiveduto') by his father and led to his unusual name. For a brief period he was a pupil of Giandomenico Angelini ( fl 1550-1600), under whom he painted small-scale works, mainly on copper. His prolific production of devotional paintings, portraits and copies of portraits won him swift success; in 1593 he became a member of the Accademia di S Luca and in 1604 of the Congregazione dei Virtuosi. His early portraits have not been identified; they included highly popular copies of a series of Famous Men then at the Villa Medici, works that Caravaggio probably also copied when he worked for some months in his studio on his arrival in Rome in 1592 |
|
Related Artists::.
| Antal Berkes | Jean-Simon Fournier | Axel Axelson | |
|
